THE SIRIAN CHRONICLES AND SHIELDING 101-

Channeled -11/07/95

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Archivist Note: This is one of more significant tapes from the archives. In the first part, Kiri completes the saga that is the real-life story of the evolution of Sirius from the 3rd dimension to the 6th dimension. Never added to the library, in Part 3, Kiri relates Mark's and my roles in that planet's history. The full story can be read in the included links to parts 1 and 2. From a separate session due to Mark's energy being low, Kiri shares with me a Sirian ceremony that caused physical reactions in the environment from the visiting devas on both the 6th dimension and the 3rd dimensional channeling room. Omal finishes up with the most complete treatise on shielding he had ever given in his lessons presented.

SPEAKERS
ATTENDEES
TIA- Ring Mistress MARK (Channel)
KIRI RUSS
OMAL  


SIDE 1

SIDE 2

2.)(25:16)- Omal gives one of his best disertations on shielding yet.

3.)(47:29- Tia quotes from Independence Day.

Part 1 speakerListen to this episode (RIGHT CLICK AND OPEN IN A NEW TAB)
Duration: 45:57 min. - File type: mp3
Part 2 speakerListen to this episode (RIGHT CLICK AND OPEN IN A NEW TAB)
Duration: 48.15 min. - File type: mp3


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SIDE ONE

(Tia gets the channeling session started.)


Tia: okay, good evening and welcome to tonight's session. Due to the fact that Johnny is asleep and Mark is low on energy, we're just going to do the Sirian collection part two. But before we get down to that, let's answer some questions. Russ, do you have any questions?

Russ: no Kiri, I do not

Tia: Kiri?

Russ: well your eyes are open aren't they?

Tia: one eye.

Russ: well one and a half.

Tia: one eye focal.

Russ: well you're getting better anyway.

Tia: of course I'm getting better, you just now said waiting for Kiri.

Russ: yeah well, I thought you were Tia but then I noticed your eyes were being more open than they normally are. Then I was thinking well Tia either has gotten a lot better or it's Kiri.

Tia: and?

Russ: Tia must have gotten a lot better.

Tia: Tia has got a lot better.

Russ: good, good. (Claps)

Tia: round of applause huh?

Russ: more of a square of applause actually.

Tia: okay, now do you have any questions for me?

Russ: hmm, let's see, yes I do. Last week Omal said that the photon cloud affects certain areas of the abilities but doesn't affect other areas of the abilities.

Tia: uh-huh and then he said that it affected PK and then he said it didn't affect PK.

Russ: right, he also then said though, it didn't affect healing but some people have learned to use photonic energy for healing so.......

Tia: that is more directing the flow I think. You'd have to ask Karra about that but I'd say that it's not increasing their ability but directing the flow of the photons through somebody.

Russ: so can it be used for all of the abilities?

Tia: I don't know, it's not my field.

Russ: okay, so which is it, PK or not PK?

Tia: Kiri seems to think that PK is not affected.

Russ: okay.

Tia: I haven't noticed any increase in my ability up here in the sixth but we don't have it up here in the sixth.

Russ: the photon cloud?

Tia: for some reason it isn't affecting us up here.

Russ: what is it, a third dimensional phenomenon maybe, it does not transmute dimensions?

Tia: I don't know. I'd like to say no it's not but Kiri's just shrugging her shoulders.

Russ: and you have accessed the photon cloud into your correlations with the future of mankind in defcon two correct?

Tia: yeah correct.

Russ: and what effect will this have on our coadunation as a sixth dimensional beings from third dimension, our ascension let's say?

Tia: no effect whatsoever.

Russ: well then why does the third dimension suddenly with its defcon two going to defcon one, take us to sixth dimension if not for the aspect of the photon cloud and the more increased......?

Tia: oh I thought you meant is it an outside factor which has changed my calculations, no it has not.

Russ: oh, so I knew that.

Tia: and it is taken into consideration. I really don't know how it's going to come out, saying that it's going to come out one way or another, I can't say that.

Russ: well I made some conjectures just now and I want to get your opinion on them.

Tia: okay.

Russ: that being that the photon cloud in conjunction with the stress put upon people with abilities and those without abilities will help to bring about this change that we're looking at. I'm trying to find something that is beyond the stress that would cause the change.

Tia: hmmm, as I said, it's not really my field. It's not really my field, it's something that is a little bit out of my field.

Russ: who's field would it be in?

Tia: you'd be talking more Karra, Omal and Korton's field.

Russ: okay.

Tia: Kiri might know some but Kiri's got a whole stack of notes and she's looking very serious.

Russ: hmm, okay. So in the meantime the photon cloud is merely an ominous factor until we get more information.

Tia: correct. You see, what I think they're letting me do is that they know how it will affect but I have to come up with my own answers so that it's different from theirs.

Russ: so my asking these questions gets you to think about those answers correct?

Tia: yes but you're not asking the right sort of questions to really get my mind flowing you see.

Russ: are we talking about the cascade factor?

Tia: no, nothing to do with the cascade factor at all.

Russ: your mind isn't cascading?

Tia: umm no, I keep it very controlled.

Russ: hmm.

Tia: I think it's something to do with my ancestry.

Russ: hmm.

Tia: okay, kettle's boiling.

Russ: you know something though, if it did affect your....I mean.....you wouldn't know if the...

(The tape starts and stops)

Russ: we're on.

Tia: okay thank you and thank you. Okay I will...well one other thing I'd like to add is that if it was affecting some abilities right? Up here......I would have little individuals walking up to me and go "mommy, why is my PK doing this, why is my astral travel doing this, why is my manifesting doing this, why is my healing doing this, why is my coercion doing this?

Russ: didn't I just hear that Diana's now got her coercion coming on? (One of the Cubs)

Tia: well she's developing it which is good. Good for somebody that didn't anything apart from the ability to focus energy and use energy and know how to use all the other abilities but have none of their own, I think it's pretty good.

Russ: well that will help her in her role won't it?

Tia: yeah as a uhh, as a....

Russ: executor.

Tia: I wasn't going to call it that.

Russ: I know.

Tia: uh-huh.

Russ: but that's what you meant to say.

Tia: no I was actually going to call her a trigger girl.

Russ: that's a much better term. (chuckles)

Tia: she's the one that walks around, walks up to you and the other two to get to work and Pow and you incinerate. (laughs) Okay, I think it's time.

Russ: okay.

Tia: should we put her on?

Russ: let's go crazy.

Tia: okay.




(Kiri presents the Sirian Chronicles.)


Kiri: okay, down the business. Yo dude.

Russ: what's up Kiri?

Kiri: I don't know, I've never been there.

Russ: yeah you have.

Kiri: I've been there all the time so what's up? Okay let us get serious here.

Russ: got it.

Kiri: Mark's got a runny nose.

Russ: yeah.

Kiri: I think it's because it's been dry and now with all the humidity it's just unclogged everything.

Russ: that makes sense.

Kiri: uh-huh. Okay let us start with the Sirian Chronicles part two. Let us start with a preface and let us start by calling the preface the house of Sarra. Although it's not the house of Sarra until the end. Let us step back in time to a time when a third dimensional planet was starting to undergo changes and the mass exodus' were happening from Sirius in the third dimension to other worlds. (Earth was one of these worlds.) Numerous races were leaving and going to new planets and leaving because the planet was dying basically. The sun was undergoing a metamorphosis which was generating higher radiation. At the time there weren't any genetic failings or noticeable conditions caused by the increasing radiation. This is something that would take a few more thousand years to become noticeable. But, several great houses were moving away and a great house had a splitting. Two members of the house argued with their parents and decided that the house should split. They moved to a new world and they settled down and they raised a family. But the planet that they settled on was a little unstable and itself starting to undergo a metamorphosis. Their children decided it was time to move but they couldn't decide which way to move. One son of three turned and managed to get home to Sirius on a shuttle. The other two went off elsewhere, the records are not fully clear on that but we have our conjectures. He arrived back on his home world and after many years noticing the changes, moved into a high area away from the populations where all the trouble and strife was going on. His soulmate gave birth to a daughter. When the changes started she was a young lady and she had a great following and that was the house of Sarra. Now after the ascension, (to the 6th dimension) this is where it starts with the Sirian Chronicles part two as you would like to call them.

Russ: actually this will be part three.

Kiri: why?

Russ: I already have part one on the webpage.

Kiri: well this be part two then.

Russ: I only have got the rest of the tape to transcribe yet, because you told me not to.

Kiri: okay we'll go with that, okay so this is the Sirian Chronicles as you would call it part three and we shall title it, "The House That Sarra Built."


THE SIRIAN CHRONICLES PART 1

THE SIRIAN CHRONICLES PART 2

THE SIRIAN CHRONICLES PART 3, THE HOUSE THAT SARRA BUILT

The land had been settled and the families had become great, a development in union and consciousness of working together transpired. Teamwork within houses and families that had been created after the arising became mighty and powerful. The mightiest of them all unfortunately became the corruptest of all. The house of Sarra had moved high and became isolated due to the aura of Sarra. Sarra had not changed in her appearance or in her attitude but her children collected and coveted the power of her being the first to walk. Her son had stayed the same also, he had developed fully and maturally and had become wise. Sarra stayed as she was, in later years she became isolated, not knowing what was going on around. Now the problems within the family occurred. Sarra noticed these illnesses developing. Her son often gone seeking enlightenment himself had become weak because of his quest for knowledge and understanding. Sarra one day called her family around. At this time it was close to 15,000 strong. Her body had changed rapidly and suddenly and from her bed she spoke to them all and said it is now my time to depart. Take me home to where I first walked and from there take me on high. At this time the entrance to the cap was still free to those of great power. She climbed up and went within and lay down but before she did she projected. An image of her head appeared above the great pyramid and she stated: "when it is time, I shall return, then, union will be complete. I promise this to you." Then she sealed herself within. Many tried to go up to see her to see if she was still there, none could get in. Years passed and her son came to visit from his trip for he had not heard that that his mother had sealed herself away within. He climbed up and walked within and there she was old and shriveled and had been waiting for him. He sat down and asked what was her problem. She said that she was old and tired and the family had become corrupt and mighty. She said that this was an echo of the family that had.....sorry, my transcription here is not very clear. She said that she was worried that the family would become as those of the Masters, referring to Tonar the corrupt and cruel. She said that she would come back and only a non-native adopted by the people would be able to come in and that would be her line. Her son looked upon her with concern and worry as she closed her eyes for the last time and went into the sleep. He prayed that she would be reborn soon and in his mind she said that she would return to a non-native line. He called and in his mind he heard her voice stating to watch what was to come, to beware and then she was gone. But it was not the voice from the awaiting, it was the voice from the realm of the round.(?) Her son walked out into the light of day and the moon had passed many phases. He walked and told the families that she had passed and was now asleep. He told them of her prophecy but he kept the warning to himself. The question that we have asked ever since is was he right or was he wrong to do so? The warning of the family that was now corrupted. Time passed and he passed into the land of awaiting and the family grew strong and mighty but yet within it, echoes of the past started to appear. A young man arose, strong and mighty and powerful. He had three of the five and he sought himself a maiden to bear his children. On a winters day, and this is well documented, he was out hiking in the high country looking for flowers to take home to his intended. Upon a rock sunning herself in all her morning glory was a young maiden. No more than maybe 15 summers but there she sat sunning herself in all her glory. He walked up and she was the image of Sarra. She was beautiful, intelligent and somewhat unwashed. He walked up to her and asked her what was her name. She said her name was Teela. And Teela in the language of the hills means shy but she was not. She sat upon the rocks and sunned herself and he sat below and worshiped. He could not approach her, she was powerful and strong with coercion. He asked her many questions and she answered very few. Finally as the sun was setting, she asked him to come up and sit on the rocks next to her. He tried to climb but he could not make the climb. He walked around and he still could not get close. He wondered how she had got to sit on such precarious place and tried to puzzle how she'd climbed down. And he sat at the foot and he said I will try again and she goes "things are not as they seem to be." He climbed up and climbed and climbed and climbed and then fell. And as he fell, he landed right next to her, something very odd was going on here. She laughed and chuckled and said "tricks of the mind are games to play". They sat and they talked til the sunset and she said she was cold and it was time to go home. She climbed down and he was stuck. She laughed and chuckled and said "you got up there, you can get down the same way." With trepidation, he threw himself off the rock and stood up next to her. "Odd things around this young lady" he thought. They walked up high and climbed higher and higher and it started to snow and it puzzled him how she did not seem to get cold. He thought, it must be my ancestor, it has to be Sarra. And they came to a house, if you could call it that, and it was dirty and unkempt and a very poor place. A lady came dressed in rags followed by a man bent with only one arm and old and ancient. They invited in the Lord to share their meager meal. And the young lady just sat and laughed and chatted and they were proud of their only child. The days followed and he came to see her bringing gifts and she never accepted one. Her parents smiled sweetly and said that she was too young. Every day he came, he brought gifts of wealth and beauty and she just looked at them and said they were nice but she could not accept them. The days turned into months, the months turned into years, the years turned into decades and she just smiled sweetly and said they all looked nice. He spent his fortune, the power of his house was drained away and he became poor like her. One day they were out for a walk on the mountain path high, high up. They came to a valley and in it were beautiful flowers. She had never accepted any gift from him. She was now fully bloomed of womanhood and strong and brave and showing her full talents. She reached down and picked up a stone and threw it into the air and it flew like the wind. He reached down, picked up a rare flower and said "here my love, for you". She smiled and his heart said she would never accept but she took the flower and stuck it in her hair and they kissed for the first time. They walked hand-in-hand through the land till they came upon another valley, down low on a plain on a rocky outcrop overlooking the land. Trees all around and land beautiful and she goes "this is my home, this is where I belong". And he goes "you are as beautiful as Sarra" and she chuckled and she said, "I am never Sarra. I may look like her, I've been told I look like her but I would never be Sarra". They sat down and they decided to make a name. The name of the highlands is their name. Their house was built strong and pure, many children did they have. Eons passed, countings of time. One day he returned, long after his body had decayed, a new body of his for habitation. Young and strong he met Sarra, pure and beautiful, his Sarra, not the Sarra of the family line. Poor country girl, barefoot and beautiful. We'll end the history and the preface of the line of Sarra and this little bit of the Sirian Chronicles, we'll take a quick tea break.

Kiri: as Russ rummages through the.....

Russ: actually, before that, so he died and came back and met with Sarra?

Kiri: no, met his Sarra.

Russ: his Sarra I mean.

Kiri: yeah.

Russ: what was their name that they gave to the mountain?

Kiri: the family name.

Russ: which is?

Kiri: from the highlands.

Russ: which is Tanaka.

Kiri: my, aren't we smart? Yeah, when we were at our most powerfulest, the family Tanaka, this was before it became the family Tanaka, right? When it was a line of Sarra.

Russ: right.

Kiri: it was really powerful, we controlled, or the family controlled about 40% of the whole entire planet and people and populace.

Russ: this is sixth dimensional Sirius?

Kiri: yes.

Russ: right.

Kiri: you're talking controlling 40% of your planet in comparison.

Russ: right.

Kiri: total control. If the head of the family said that this 40% was to be wiped out, that there would be no more of this 40%, then that was her power. The fact that Sarra would never do that but her children were the ones doing all the infighting. They knew she was old, they knew that she was getting ready to leave and she had many children. She had I should say about 60, 70 children both male and female. And then think about their grandchildren and there was a fair bit of incest going on in the family as well.

Russ: but now where is the line of Tanaka in the ruling line of Sirius now? Is there such a thing as equality between all the lines or are some lines greater than others?

Kiri: some lines are greater than the others but the rule is that there is equality. But...

Russ: but that's not always the case.

Kiri: not always the case. A mighty house right? Will be elected by the other houses to be president for the lifetime of the individual or as long as the individual wants it. Our family has been elected many times since Tanaka's been around. Since dad's been on the hot seat as he calls it. Many times and every time he goes, "no". In fact there is another election coming up in like three years.

(And this time he accepted.)

Russ: why did he turn it down? Besides of course the awesome responsibilities that goes along with that.

Kiri: something that Miranda........

(His previous bond mate and mother of Kiri and Karra)

Kiri: taught him long ago, long ago. That being a mighty, powerful individual in a powerful line......you've got to remember she was a simple country girl as she'd always been in all of her lives except for this last one, this current one.....

(As the daughter of Alana.)

Kiri: but, she's always liked the simple things.

Russ: but at the same time....

Kiri: she's always been horny as well but that's besides the point.

Russ: doesn't the story of your dad meeting Miranda bear a striking resemblance to this young gentleman and his Sarra?

Kiri: huh-hmm, I think they've acted it out many, many times over the eons.

Russ: hmm, very romantic.

Kiri: I think it's very romantic. But the interesting thing is.........

Russ: we're just romantics at heart.

Kiri: yeah but the rock that over sticks into the valley?

Russ: still there?

Kiri: kind of. You know what sits on it now?

Russ: the family house?

Kiri: uh-hmm.......that's because that's where they consummated their relationship. It's a strong fortress as well. There's caves and cellars and you'll have to go there one day and just see the whole house.

Russ: I've only strolled the grounds, I haven't been inside the whole house.

Kiri: well if you go into the main hall right? You remember as you come into the main hall right, you got that corner that is very dark and dingy, plants and stuff all around.

Russ: on the left?

Kiri: yeah.

Russ: yeah.

Kiri: well if you go further on there right? It becomes jagged like a grotto. The fact that you haven't noticed that you've gone down at an angle like that for about maybe three or 400 feet is besides the point. You're actually underneath and behind the house. In fact, if you were to go directly up, you know the outdoor swimming pool?

Russ: I've haven't been there, no.

Kiri: no there's an outdoor swimming pool. Do you know what you would be directly underneath the outdoor swimming pool?

Russ: oh really?

Kiri: uh-huh.

Russ: and that's the rock that was there?

Kiri: no, the house is built on the rock right? You know the big long stairway right? That leads up to the front door......

Russ: yeah, right in front as you walk in.

Kiri: yeah and then you go into the great Hall?

Russ: yeah.

Kiri: that rock is hidden by the brickwork there in the stairs.

Russ: oh, interesting.

Kiri: uh-hmm, I've always wanted to take the brickwork away and the stairs and just have a kind of escalator kind of thing. I just want to see the rock in the light instead of being hidden.

Russ: oh I agree.

Kiri: it would be nice. Supposedly, I've never seen it, but you know it's got veins of quartz and crystals and in fact the supposedly lots of crystals throughout in the grotto. If you go all the way to the back of the grotto there's lots of amethyst and quartz crystals. And there's a crystal there that's about yeah big, beautiful crystal.

Russ: that would be a trip.

Kiri: uh-hmm. Okay...

Russ: I guess I should visit the old family home.

Kiri: yes.

Russ: again.

Kiri: again and this time look at it properly instead of "oh, it's a nice big house".

Russ: well it is a nice big house. I'm just going to see your dad. Like your dad doesn't want all this trappings of.......

Kiri: no he doesn't.

Russ: I mean like I'm not going like "whoa awesome man". I'm going "hey let's have some tea"

Kiri: you've seen him, he wanders around in a robe that's not exactly the best quality is there?

Russ: I haven't seen him since the rejuvenation.

Kiri: yeah, but his robes that he wears, I mean they're not exactly the finest satins, the finest silks.

Russ: you got him that?

Kiri: well I think that the gift from.....

Russ: Miranda.

Kiri: yeah but he likes the simpler things in life.

Russ: how's him and Miranda get along?

(Daughter of Alana and incarnation of his former bondmate)

Kiri: they get on okay.

Russ: I wasn't there at that meeting.

Kiri:  well Miranda kind of I think gave a slight cold shoulder.

Russ: I would of thought there'd be grudging acceptance at least.

Kiri: well, she's little at the moment. I mean come off it, I mean she's barely out of diapers right?

Russ: yes but I thought I trained her better than that.

(It is also Karra's granddaughter)

Kiri: well, at the moment she's got the typical sixth dimensional child of, "I've got to be the center of attention." A little bit like.....

Russ: yeah well, but Kevin's always going to be above her. (Her brother.)

Kiri: you think so, you wait.

Russ: he thinks so.

Kiri: yes he thinks so but you don't know.

Russ: it's just his kid sister you know.

Kiri: yeah, they haven't developed the full connection with their past lives, unlike...

Russ: not till they hit 15 right?

Kiri: no, 21.

Russ: 21, that's it.

Kiri: unlike Leonedies whose fully operational, fully functional, has full access, knows exactly what's going on, fortunately he knows when to shut up.

Russ: yeah right...."Mom, quiet"

Kiri: no, when it comes to past lives and spilling the beans.

Russ: oh, okay.

Kiri: I mean he knows that if he tells Miranda what he knows about her past lives, she's just either going to burst out crying or just find it absolutely funny. Anyway, back to part three of the Sirian Chronicles. Okay, let us step back and answer questions that you have.

Russ: okay, now with the...let's see…so he died and she died.........

Kiri: yes.

Russ: and when they both died, then they came back as material beings or immaterial beings.......

Kiri: for a time.

Russ: and they walked together for a time as immaterial beings........

Kiri: yeah.

Russ: like the youths that they were?

Kiri: uh-hum...are we talking about Sarra or the start of our family?

Russ: the start of the family.

Kiri: okay.

Russ: and what was his name?

Kiri: well he took the name Tanaka, that was the only thing that is recorded in the records, the house Tanaka.

Russ: it said a young man arose........

Kiri: yeah.

Russ: never really had a name to arose to.

Kiri: but the thing is that him showering gifts upon her was part of his learning experience. Each gift that he gave was more expensive.

Russ: why didn't he just give them back or sell them back and get his money back?

Kiri: I think it was a stigma thing.

Russ: oh, so what happened to all the gifts?

Kiri: they're probably stashed somewhere. He probably stashed them somewhere in a big treasure pile somewhere, a big dragon's horde somewhere.

Russ: so he was never really just poor?

Kiri: no he had no use for them after, they were gifts that he could never give....that's it, I knew there was logic behind it, they were gifts to he could never give back because each gift was a gift of love.

Russ: ahh.

Kiri: but the gift of love itself was the fact that before she agreed to bonding, they had to be equals on her terms.

Russ: I mean makes a great story and everything but I mean what did they live on out there? Fruits and berries?

Kiri: fruits, berries, deer......

Russ: and they lived to be like 300 years.

Kiri: no, they were living close to a 1,000.

Russ: why don't they live that way now?

Kiri: why don't we live that way now?

Russ: yeah.

Kiri: because of their struggle. They built the house. They had about 15, 20 children before their first regen.

Russ: but what did they feed them all? They were broke, they had nothing but flowers out there and their mom and dad had nothing either.

Kiri: they were lower down in the valley where it was more abundant. There was plenty of pastureland to have cattle to grow milk and.......

Russ: so he became a farmer or something?

Kiri: basically yeah. It was his property anyway.

Russ: oh it was?

Kiri: yeah.

Russ: you never mentioned that part.

Kiri: oh didn't I?

Russ: no.

Kiri: well it was all his property anyway. Don't forget.....

Russ: well she said it was her home.

Kiri: yeah, they lived on the property.

Russ: but he never, how did he get the property before she knew it was her home?

Kiri: it's like he was the landlord.

Russ: so he was like wandering his land and he came upon her?

Kiri: yeah basically, sitting upon the rock.

Russ: and they were kind of like squatters on his land kind of thing?

Kiri: no, no they just leased the land from him.

Russ: oh he didn't know them?

Kiri: well think about it, you've got approximately a million square of your acres right? Are you going to know everybody that lives on there?

Russ: I'd try.

Kiri: well think about it, are you going to know, you know maybe 20 or 30,000 individuals?

Russ: well I mean you said the guy was hunting right?

Kiri: no he was out walking.

Russ: I thought he was hunting. Okay he was walking and he met her.

Kiri: yes she was sitting upon a rock sunning herself, in all her glory.

Russ: she was nude.

Kiri: yeah basically.

Russ: so they went back to her mom and dad's house nude? And they had dinner that night while she was nude?

Kiri: yes.

Russ: doesn't mom and dad have a problem with some guy in the house with their daughter nude?

Kiri: no.

Russ: (chuckles) okay, I don't know, I'm just getting used to this whole Sirian customs. I'm of course a little strange down here, you wouldn't of course see that. It be like "get your clothes on, what are you doing...?"

Kiri: aren't we thinking a little third dimensionally this evening?

Russ: I mean did she go around nude all the time I mean?

Kiri: she wore what she wanted to wear. I don't know, the records aren't that clear. The fact that she was totally naked....

Russ: did she always wear clothes?

Kiri: probably yes, I mean, you seen me walking around in the buff.

Russ: yeah but not all the time.

Kiri: no you've seen me walking through the base by accident.

Russ: I mean maybe she had like a toga sitting there by the rock or something she got into after she got down off the rock?

Kiri: now she was.....the records are.....

Russ: the records are clear that she was nude for dinner?

Kiri: she was nude the whole entire evening.

Russ: the whole entire evening.

Kiri: day and evening.

Russ: but not anytime after that.

Kiri: well that's not recorded but there are paintings of her in clothing.

Russ: there's no wonder why they had so many kids is there?

Kiri: there was a lot of love between them. Yeah there was a lot of love.

Russ: I mean I do it every day too if there was a nude chick all hanging around and everything. I mean day and night for years and decades, heck yeah.

Kiri: you're thinking third dimensionally dear.

Russ: it's a lovely thought sweetheart.

Kiri: yes, I know..

Russ: okay, that's all the questions I have. Great questions though.

Kiri: was she nude? Yes. And yes, you've seen her nude.

Russ: yes Karra.

Kiri: yes.

Russ: yes, I'd be there every bloody day man. "Excuse me, is your daughter home? Hi, I'm back, hey look at this"

Kiri: "I brought you a dress"

Russ: yeah right. "I don't want it". "Okay no problem".

Kiri: she never said that she didn't want it, she just said I can't accept.

Russ: I would bring her a dress everyday.

Kiri: but the moral of the story is that she had to be of an equal.

Russ: I understand, good story.

Kiri: she had to be equal before she could bond with him.

Russ: well how many abilities did she have? You said he had three out of five. Do the records state how many she had?

Kiri: yes, she only had two.

Russ: she had two, coercion and.....

Kiri: healing.

Russ: healing. So how did she get off the rock and make this thing do what it did to him?

Kiri: think about it, it's all in the mind.

Russ: and?

Kiri: he thought that he couldn't get down.

Russ: that was part of the coercion?

Kiri: yes. He thought.

Russ: well aren't we talking.....I mean you can't do that can you?

Kiri: yeah.

Russ: you can do that?

Kiri: uh-huh. I can make your mind think it's done things.

Russ: alright. Fascinating.

Kiri: uh-huh.

Russ: what was his gifts?

Kiri: he was a manifester, PK loaded and he was a.....

Russ: astral projector?

Kiri: yeah but not loaded.

Russ: so all five?

Kiri: that's all five, that's where the potential starts.

Russ: so how many of their children were competent in all five?

Kiri: none.

Russ: ever?

Kiri: ever.

Russ: ever, to this day?

Kiri: to this day and to this point.

Russ: what about Leonedies?

Kiri: Leonedies is the first.

Russ: ahhhhh....now what does this bode for the future then?

Kiri: I don't know, what does it bode?

Russ: well, I'd say it bodes well. I mean now all of a sudden you've got your first five-fold ability being in the house of Tanaka.

Kiri: uh-huh.

Russ: that should mean that it took this long for all the generations to finally mix and one of them have to go all the way to earth, be on third dimension, come back up and impregnate one of the house of Tanaka's line.

Kiri: uh-huh.

Russ: so they are both from the house of Tanaka, they both hook up, they have....

Kiri: no, no, no, no, they're not both from the house of Tanaka. The house of Tanaka when the mass migration started, did not exist. The line that became the house of Sarra existed.

Russ: well Tanaka was our father of Maxxus and Naxxus.

(A past life when Mark and I were brothers migrating to earth from third dimensional Sirius).

Kiri: correct.

Russ: but he was not of the house of Tanaka, because there was no house of Tanaka.

Kiri: that's correct, that's what we said all along.

Russ: he was in the line of Sarra.

Kiri: no, the line of Sarra came later from that line. It's a tree right? You have a branch or you have the trunk right? It grows up straight. This is the line that is before the house of Sarra. This is the line of Sarra right? Notice you have parts the line going off here right? Okay, this is line of Sarra, now this new branch here breaking off is the house Tanaka. And the house of Sarra ended, I think it was like four or five generations later. It tore itself to pieces and it broke up but the line that stayed the purest was the line of Tanaka.

Russ: got it.

Kiri: this was close to a 1,000 years after the death of Sarra.

Russ: but this is the breakup of the migrations happened with the house of Tonar?

Kiri: correct. That was before the house of Tonar the Corrupt right? There was the mass migrations.

Russ: right and that was from the children of the daughters of Tonar.

Kiri: correct.

Russ: who was the parents of...

Kiri: no.

Russ: well the ancestors of..

Kiri: no.

Russ: the daughters of Tonar....

Kiri: were the religious order that worshiped Tonar the corrupt. They were slain by the tribe.....I can't remember the full name of the tribe now.

Russ: the tribe of.....

Kiri: light, truth, justice.

Russ: light, truth, justice, something like that.

Kiri: yeah, who became the 144,000 that sequestered themselves with within the rock.

(That made up the Great Pyramid of Sirius.)

Russ: now that tribe is the ancestors of Tanaka who was Maxxus and Naxxus' dad.

Kiri: no. This all occurred after the Exodus off the planet when people were going off to earth.....


END OF SIDE ONE



line



SIDE TWO


(Kiri gets side two started.)


Russ: right.

Kiri: right, his two sons supposedly, or three sons, one went back Sirius right?

Russ: oh, it's Mars.

Kiri: uh-huh.

Russ: which is third dimensional Mars.

Kiri: that's correct.

Russ: which we now see the ruins of.

Kiri: possibly. All right, one son went back to Sirius right?

Russ: right.

Kiri: and started the line that became the house of Sarra right? It was his daughter that was Sarra.

Russ: right.

Kiri: okay, his two brothers went on to earth and tried to kill each other frequently and have done for eons and will probably do for eons. 

Russ: we are not.

Kiri: oh come off it, when you two get your swords out and start poking each other....

Russ: oh we're just messing around having fun. Good gosh killing each other, it's never serious. We're working quite well together as a team I might add. And we're brothers right? Brothers-in-law, close enough.

Kiri: close enough. I think the term brothers-in-outlaw springs to mind for some reason..heheheh.

Russ: yeah right.

Kiri: but, could you scan a picture in if I was to draw a line and then put in the tree?

Russ: yeah sure.

Kiri: okay, if you want to kill the tape and get me a piece of paper.



(This next was how a ceremony from Sirius was conducted. It is from a different session that had been cut short also. Mark's energy reserves had given out and we had been forced to no longer continue with the Sirian Chronicles. One note on the channeling below, if you do this ceremony, please be aware it should be done with the seriousness the results it can produce deserves.)

Kiri: Okay Russ this is what you will need, Russ this is what you will need for a ceremony in Sirian. You will need 24 white candles for the outside. You will need 12 candles for the inside. You will draw a circle that is by your height and two of your inches on top of your height. You will need a bowl of water. The bowl must be clear, glass will do. You will need a little burning device, not a camping stove, a little miniature barbecue. You'll need charcoal. You will need incense. You will need red wine. You will need flowers, the colors of the flowers are very important. You will need red flowers, green flowers blue flowers and white flowers. You will arrange them in groups of two. Two red, two white, two blue and two green and you will continue all the way around lining the outer circle with those candles. You will spread the 24 outer candles evenly spaced around the outside of the circle at evenly spaced intervals. You will draw within the outer circle a star with 24 points but it must be designed in a way that it does not touch the inner circle. The inner circle will be drawn within that area. The inner circle will have the 12 candles spaced evenly around the edges of the candle (circle). In the center, you will have the barbecue type arrangement with charcoal, not briquette charcoal, real charcoal. That is the set up. The incense will be spread around, one stick of incense for each compartment in the star. You will need in the center a small table next to the burning barbecue. You will have that covered with a cloth of red. You will have on that a five stick candle holder or five candlesticks. You will have in the center red, on either side green, two green candles for one red candle and then two blue candles. You will arrange that in a kind of semicircle or an arc. In front of that you will place the bowl of water. Then you will get some more incense, you will put incense around the edge of the bowl, little holders dotted all the way around so you that have smoke coming off the top of it. You will then add to this flowers that will float in the bowl. In the bowl you place one big blue candle. That's why you needed a blue candle Russ, not only for your earth ceremony but for ours. The bigger, the better, the taller. You will light it. As the wax drips off and drains out, it will float around free and mix with the flowers. The flowers, again you will have red, white, blue and green floating in the water. Okay, now let's get to the serious part right? Now you can do this singularly or with a group of people, it doesn't matter. You will need to get from the ground soil. From the fireplace, ashes or soot. Uncontaminated ashes, no artificial additives whatsoever so it must be wood only. In one hand, you will hold the ashes. In the other hand you will hold the soil from the ground. Again, it cannot be artificial soil taken from a nursery that has all chemical additives, it must be pure soil. You offer the soil and the ash as the basis of life. From this all things come. The soil is offered in one hand. The soil is the nutrients that the tree of life and the flowers from the ground grow on. You open your hand and let it drain to the floor. In the other hand you have the ashes, the remains of the leaves and the trees and the plants returned to the ground. You let that go. You kneel and you face towards the Pole Star of your planet. On Sirius it's kind of like your North Star but it's not, it is kind of off to one side. But you kneel to the Pole Star and you call a blessing on the God's names, too many to list but you call on the God of wisdom, call on the God of knowledge, you call on the God of intelligence. You call on the goddess of healing, the goddess of love and the goddess of light. You turn to the four cardinal points and you bless the cardinal points. "I bless the cardinal points with all my power, all my might and all my strength, in truth, justice and wisdom." Each point you repeat that phrase. You then kneel down again within the circle, central circle, you kneel down and face the candle. You look within yourself and summons your strength. "I Kiri Tanaka summons the strength of truth, power, might, wisdom, justice. I summons the power of truth, justice, wisdom, intelligence, knowledge. I seek intelligence, knowledge and wisdom. I will use them for good only. The power within me is the power without me. The strength, the energy, the feel. The blood of my veins is the blood of my sisters that have gone before." In your case you would say the blood of your brothers. "I summons the strength from within to protect those without. I call upon the energy harnessed within, I focus the energy within. With love, justice and truth I wield that power for right. I protect, I look after, I guide. I pray to the points of the cardinal compass and ask for their blessing. I call upon the mighty," and the mighty is never named. The gender of the mighty is never named. Because the mighty is both, and has many names, too many names to list at this time. But the mighty is the mighty one. "I call upon the power of the mighty one to fill me with his strength," oops, mistake. "I call upon the power of the mighty one to fill me with strength, energy, knowledge and wisdom. I promise to use the power given to me only for good, only for light, only for truth, only for justice, only for wisdom, only for knowledge. I promise to use the power of the mighty never to harm, never to corrupt, never to serve myself, never for self good, never to harm, never to taint." Then you pause and you wait. And you wait about a 100 heartbeats. And then you call again and this time you say "I summons" and your voice inflection is very important. Do you want me to give you the full power the voice?

Russ: uh-huh.

Kiri: "I summons the power of the mighty, the power within to grow, to bloom, to fill. I promise to use the power of the mighty only for good, never for harm, only for knowledge, never to corrupt. I promise to pledge my strength for truth and justice. I promise never to harm the innocent, the pure, the just, the children, the naïve." Then you pause. I feel something. Is it up here or down there? It's up on the base? Tia's looking a little bit concerned and so are the technicians, the monitors are going funny. Just happened when I called, I don't think I should've called you know. Okay, and then you would probably take a glass from the altar, fill it with wine and then you would offer it to each person in the circle. Let us say that you are on your own. You take just a sip and you would pass it in theory to the next person but you're on your own. You pour the wine once it's been filled, or once you've taken your sip, what's left you pour into the bowl.

Russ: with the candle in it.

Kiri: with a candle but you don't pour it over the candle.

Russ: right.

Kiri: okay, so the water has the wine in it now. You take the glass and you hold it over the candle and turn it right? And as you turn it, you're taking energy from the candle and the power from the candle. And as you're doing that, you bless the candle, you bless the strength, you bless the glass and you bless the water and you keep on turning it until you've got a nice black soot all the way around. You run your finger all the way around right? Cross, with the hands going up and on the top, do the cross, and you do the central part. As on the altar, the five candles. And then you kneel again, and this is where the importance of the size comes into hand right? You kneel down and then you lay down on your stomach, arms outstretched so that they're touching the sides of the circle but do not leave the circle. You close your eyes and you feel the strength of the mighty one fill you. And it may take 10 minutes, it may take 20 minutes, it may take a half an hour. When you're ready and you feel the strength within you, you kneel again in the center of the altar or the circle. Now the fire should be burning quite low by this point. You skim the flowers off and this is why you need charcoal, not briquettes. You pour them into the barbecue center so that they catch fire and burn. And you wait and you watch them burn until they are gone. And at this point the fire should start to burn down much lower. You move the center out, everything that is in the center gets moved to the edges except for the fire altar. You put the fire altar in the center. You bless the fire center and you call upon the mighty one again for the last time and you ask him to fill you with love, power, truth, justice, wisdom, knowledge. You promise to protect the innocent, the pure. You promise never to use your abilities to harm, corrupt, deviate or for self-service. You ask for a blessing, you bless the fire altar, you bless the water altar, you summons the strength and power within of the ancestors that have gone before, "I summons the power of my sisters in truth, love, wisdom, knowledge, and justice." You kneel before the fire altar, you bless it and then you go to the outer candles and you bless each outer candle. "I bless you with the power of love, knowledge and wisdom. You repeat that 24 times to 24 candles. You come back to the center. You bless the 12. And then you turn around and ask for understanding and knowledge and you extinguish the 12 and as you extinguish each one, you bless it as you extinguish it. You go to the outer and extinguish each outer candle and ask for love and understanding from each candle. You return to the center, you take the five and they should be firmly cemented within their container. You walk to the water and you hold it and put it in the water. And as you put it in the water, you exchange the power of fire and light for the power of water. And then you kneel before the water altar for the last time and you bless it. And then you bless the fire altar. You clap your hands nine times and each time you clap your hands you make a blessing. And the blessing is, "in love, light and wisdom, the power of the mighty I share with my sisters." Or brothers in your case. Here endth the ceremony. And when you get to the end you say, "here endth the ceremony." Do you have any questions?

Russ: yeah I'll start with the first one. Green flowers......

Kiri: uh-huh.

Russ: we don't have a lot of those down here.

Kiri: you should be able to find some.

Russ: I can't recall any off the top of my head but maybe Mark should know where to find some. Now you call for a 6 foot two circle, now what if you have more people, you can't have everyone laying down at once? Do you make it bigger?

Kiri: no, you kneel in the center.

Russ: so you don't lay down flat and gain power, you just all kneel.

Kiri: yeah, or actually the way that we ladies do it is that we will sit down with our feet touching the edges back to back all the way around. If there's two of you, it's a little bit difficult but you will sit in the circle and there will be a center in the circle and you'll have somebody stand in that center if there is enough of you.

Russ: okay, now you call for the outer circle to be 6'2" inches and the inner circle inside of that. Okay, now with 24 candles on the outside and 12 on the inside, even laying down and putting your feet up, you got to position yourself so that your limbs go through the candles.

Kiri: that's correct.

Russ: you've got to be very careful in your placement of your limbs and not move around a whole lot.

Kiri: that's correct, when you lie down, you are stationary.

Russ: right.

Kiri: when you sit right? The candles should between your legs.

Russ: okay. Now you mentioned calling upon the God of truth, wisdom, justice...

Kiri: uh-huh.

Russ: those are Sirian gods.

Kiri: correct.

Russ: they wouldn't work down here I take it?

Kiri: ummm, probably not, no. But the principle....

Russ: well it would attract devas.

Kiri: exactly.

Russ: who would remember.....

Kiri: them.

Russ: them.

Kiri: you are invoking an old ceremony which will attract a lot of attention from the devas that remember.

Russ: right now so can we get the names, I mean of those five that you are calling upon?

Kiri: those are their names, you want their Sirian names?

Russ: yeah.

Kiri: Ka.

Russ: is for who?

Kiri: wisdom.

Russ: okay.

Kiri: Trah, not Twah, Trah, is for justice. Huh, is for knowledge. Let me translate back to Sirian the...what is it, truth, justice, wisdom, knowledge and the last one is...

Russ: power?

Kiri: power I think. And I've covered three right, I've covered truth, justice and wisdom? Okay knowledge is Nayla. Not Nala, Nayla. And power is Prya. Pryra.

Russ: that's pretty close actually, power and Prya.

Kiri: Prya.

Russ: yeah, I can see the correlation there.

Kiri: yeah, and actually Prya means a little bit more than just power. It means bright, powerful and strong. And he is always last, and he is male, very male and every time you mention him, he is last, for the simple reason he is the one that makes the entrance.

Russ: so for those devas that do remember, they must be pretty old devas.

Kiri: yeah and the reason why I think that the monitors went haywire is the fact that a couple of devas that kick around the base suddenly went. "What?" and heard it and came flying. I think that I've got a technician that's run off to check things out.

Russ: okay now, wouldn't devas have a collective memory?

Kiri: uh-huh.

Russ: so what if even those who have come from other devas remember?

Kiri: they'd have to think about it first.

Russ: think about it.

Kiri: it would be like, "hmmm, that sounds familiar, now where have I heard that?" Whereas the old ones will go, "ohhhhh, I haven't had heard that in a few years." Prick up their ears, figure of speech of course, prick up their ears and go, "let's see what's going on here." So who's the deva you ask for last of all?

Russ: power.

Kiri: Prya.

Russ: right. Okay now, oh very important question, how do you make a 24 pointed circle that doesn't touch the inside circle but touches all the outside circle? in other words, you don't let the points touch the inside circle I guess?

Kiri: that's right.

Russ: but the circle itself can touch the inside circle.

Kiri: correct but what you actually do is that you would work off of the points where they all join. The points where each line joins is the marking points for the inner circle.

Russ: oh I see what you're talking about.

Kiri: yeah, you don't do.........you can take something like a pentagram and keep on rotating it so that the points are evenly spaced so you have 24 points. You want to take a six pointed star which would be I believe...

Russ: star of David.

Kiri: yeah, star of David.

Russ: so you would rotate it four times in a row.

Kiri: well you'd actually move it four times.

Russ: four times and then you would mark it were they all connect up.

Kiri: and you would actually see a circle develop within there.

Russ: it would be almost like a mandala,

Kiri: uh-huh.

Russ: wish I could find one in my mandala book over there.

Kiri: you probably could.

Russ: it would have 24 points.

Kiri: uh-huh. Okay, Tia says she's not going to summon..........do her ceremony because the back of her hair is all standing up at the moment.

Russ: yeah, we've got enough interest in our little meeting tonight as it is.

Kiri: in fact the temperature in this room has hopped up if you might've noticed. I think you might of had a few things wander through. Can you feel any energy? That's why I started looking around, because I wasn't quite sure....

Russ: not really here, it didn't really get too worked up.

Kiri: yeah, but there is a definite increase. Okay let's switch that off, I want to check out where you're going to be holding it.

(The tape is shut off at this point and is turned on in the middle of a conversation about Ashtar Command.)

Russ: is that how Ashtar command works?

Kiri: I believe so, I really don't know the full workings of Ashtar command.

Russ: for example, just take Hades Base alone.

Kiri: uh-huh.

Russ: Omal, who is the leader, still has many people below him to carry out those things he does. But he does not make all the decisions on the base.

Kiri: no.

Russ: I mean, this would be an example of Hades Base that we're talking about here.

Kiri: yeah basically. He is the leader but he has advisers that say to him, "I think we should do this, I think we should do that". And he's nodding. Anyway, I better put him on.

Russ: okay, speaking of Omal.

Kiri: uh hum. speaking of the boss man.

Tia: (Sniffs) still smells now a little feminine in here.

Russ: hmm, it's not me.


(Tia makes a quick transition.)

Tia: (Says something in Durondedun)



(Omal gives us his most complete dissertation on shields to date.)


Omal: greetings and felicitations and welcome Russ. First of all let us get down to business at hand, how to shield. First of all, shielding, shielding's primary function is to protect an individual from hostile environments. Whether it is a physical shield of glass, brick, mortar, stone, whatever or a mental shield generated by the mind. Let us look at the latter, shields generated from the mind. What is the function and purpose of shields generated from the mind? Well the primary function is to protect oneself from a hostile environment where minds try to overpower yours, to inflict images of harm, mental projections or coercion. How do you generate a shield? A shield is generated from within to protect the exterior of an individual. Why would one want to shield? Shields are generated to protect the individual so the individual can focus and carry on on their assigned path. What environments would be ideal for shield use? They vary from situation to situation. You may want to use shields to protect yourself from negative emotions. You may want use shields to protect yourself from aggressive thoughts. You may want to use shields to protect yourself against actions of others on a mental level. You may want to use shields to protect yourself from individuals projecting thoughts into your mind which are harmful to you or self-serving towards them. Okay, constructions of shields. There are many different types of constructions. Constructions of shields vary from situation to situation, individual to individual. This is because the necessary mental energy that is useful to create these shields is not always constant. Constant energy implies that you are on a constant emotional level. I have yet to meet an earthling or any bipedal, carbon-based life form or any other life form lower than the seventh dimension that has no emotions. Emotions serve a purpose in shielding. An aggressive individual would use aggressive shielding. I will get into dealing with shielding and what type of shieldings shortly. What is the best way to use shields? Again that varies from individual to individual, situation to situation. A full body suit of armor projected from the mind to cover the body may work in one situation but not in another. It may work for one person but not another. It all depends on the aptitude, attitude and environmental factors that are necessary to generate the correct shield. For example, in a situation where somebody is using seductive coercion, an aggressive shield would not work. Where an individual is using aggressive energy to try to penetrate and control somebody, obviously a seductive shield would not work, it would be easily be broken. In this situation, shields use force for force, seduction for seduction, hostile or aggressive shields in hostile or aggressive situations. Okay now, let us look at building and designing your own shields. First of all, for the novice, it is best to keep these shields simple and straightforward. For example, shielding an individual against an environment. Obviously a beginner is not going to be able to stand up to somebody that is a master coercer so it is best to accept one's fact or fate and not waste energy on these situations. However, by practicing and learning shielding, you can advance quite rapidly to a level where you can protect yourself proficiently.

Okay now, let us look a little closer at beginner shields. Beginner shields normally involve a sphere, a simple straightforward sphere. Almost like a crystal projected from the mind to surround an individual. This is okay, it is a beginning. What you do is visualize your shield, you visualize yourself being surrounded in a spherical object. You do not put any fillings, shaded or reflective surfaces on at this time. It is the importance of generating the sphere that matters at this point for the beginner. You can practice whenever you wish. You can practice whilst driving your vehicle, or walking down one of your areas where you like to congregate. Anytime you can practice your shields but the beginner must remember to practice as much as possible. The shields that a beginner generates should be simple and basic, nothing fancy. And it must be practiced and practiced and practiced until it is automatic to create a shield. Now most individuals have natural shielding. This is basically the aura, it soaks up energy and it soaks up matter. Its purpose is to show what mood you're in and how you are doing, how well you are functioning, what you are thinking. Not necessarily what you are thinking, but more along the lines of what you are thinking about. Certain colors mean you are thinking about certain things but, that is a form of shielding. Very basic, very simple, everybody uses it, everybody has it. It's not very tough, but it is a shield. Now adding the sphere onto this, one has more protection, a little bit better protection but you do not need to do anything fancy. It is important to visualize the shielding, I will keep on stressing that for the beginner. It is important because it has to become automatic in environments.

Okay let us move up to somebody that has some experience, or let us say the novice. A novice is a level II. They have the spherical shield down pat, they can produce it whenever they want, whenever they feel like it, it is automatic. Now, a level II can start to do some fancy stuff. By possibly putting a shiny surface on the outside that reflects energy away or on the inside to keep energy in. Again, this has to be practiced and practiced often. It has to become automatic. The reason that it becomes automatic is through practice. Why? Because it is necessary. In an environment, you do not have time to sit down and think 'hmm…what sort of shielding should I have? Should be externally shiny or internally shiny?"

Okay, a level III. A level III is adept at both level I and level II. Now you can add another shield within, in between shield one and shield two, you can add in fillings. Something spongy or something jellylike. You can create different thickness' of shields. You can rotate your shields, the internal one rotating to the left, the external rotating to the right. The purpose of rotating shields is that energy may penetrate one and be spinning in that direction and as soon as it hits another shield that is spinning in the opposite direction, the energy is canceled out and it dissipates. However, somebody that is a strong individual projecting these emotions, thoughts, control commands, whatever, if they're stronger than the level III, they will penetrate and the shields will become useless. However it will slow down the individual enough for the shielder to escape or re-evaluate the situation and receive new information. The jelly, liquid or spongy substance in the middle, this is optional but it is useful. It absorbs energy and helps to slow down the penetration.

A level IV. A level IV is a person that has mastered the previous three levels. Their commands are automatic on producing their shields. They have shields rotating left and right, they have internal, external mirroring. Now they can start to use fancy shielding. For example, putting different shaped shields together. Let us say you are using a octagon and a tetragon. These surfaces reflect at different angles meaning that the energy needed to dissipate has to be stronger to penetrate. Energy that is focused will strike a surface at an oblique angle and bounce off. If the person is stronger than the shielder, again penetration will occur but it takes more time. If you construct a level IV shield with a dodecahedron and an octagon with a level III shield, spheres inside, that makes even more difficult. If you have all the shields rotating and spinning, again it makes it harder but this has to be practiced and visualized so that it becomes automatic for the situations necessary. You see a threat, your shields go up, you have protection.

Okay, a level V. A level V is a person that has mastered the spherical shield, a shield with mirrored surfaces inside or outside. Multiple shields with fillings. Shields of different shapes and sizes with spherical shields with internal, external polishing with spongy substances. This person can use their shields in different ways. For protection, for enveloping an individual which is opening the external shield and bringing them in for protection or to control them in a hostile shield. A hostile shield is where you open up the outer surface of your shield and bring an individual within for either control or protection. You can take their shields and incorporate them into your own shield, I will get into that in a second. By being able to use hostile shielding, it becomes a tool for protection. Its primary function is to do as you command. Now let us assume you bring an individual within your shields, the individual is in there for protection. You can incorporate their shields by bringing them close to you, asking them to come and stand by you and shielding them, protecting them, using your shields and their energy to increase the strengths of your shields. If they are capable of shielding, you ask them to shield you whilst you shield them meaning they are the last line of defense, they are the right of the line, there is nothing more. Now let us assume you bring an individual in for a aggressive shield to control them. You bring them in, you surround them in the external and second external shield. Now they're within your shields. Their shields if you are stronger will be canceled out, they have no shields at this point. Now you can project thoughts to calm them down, you can talk to them to calm them down.

Okay finally, level VI. A level VI shielder is somebody that can use all the shields well, very well. The weller the better. This individual has the option to use stacked shielding. As well as the regular shielding of a level V, you have the ability to create stacked shielding and other shielding. Stacked shielding is basically a half dome which sits over an individual. They go over the normal shielding that a level V would have but this is not a stacked shield. A stacked shield is where you have a half dome on top of another half dome on top of another half dome. As many as necessary with fillings and spikes and different shapes to reflect.

Static screening. This is generated from the mind. It is the most effective filler for stacked shields. Basically it is a hiss, a roar, a whine, whatever you wish that is distracting. A screaming sound placed within the filling of the stacked shields. Now an exceptional level VI would be able to have stacked shielding with different static screens as fillers between them. Let us assume that he has four stacked screens. On the outer one there is a hissing, roaring noise. On the second from outer you have a whining noise. On the third from outer you have a high-pitched whistling. On the fourth from outer you have.....let us see.....something nice, a howling, whistling, droning noise. And finally inside the stacked shielding but external to the natural shielding, you have a mixture of noises. This is a experienced, expert level VI.

The functions of shielding again is for protection or to use to be able to manipulate an individual almost in a coercive way for whatever function is desired by the shielding. Shielding used in negative purposes have certain functions which tend to bend within. For example, you have a reflective surface on the external, this blocks negative energy from escaping. Do you have questions?

Russ: yes, in part two of the reasons to use shields, you mentioned in environments where people are using mental projections against you.

Omal: uh-hmm.

Russ: I'm assuming that would mean also those people who are using mental probes?

Omal: yes.

Russ: okay, I want to get that on for the webpage.

Omal: okay.

Russ: all right also, is fear useful for a stronger shield or maintaining a calm state of mind?

Omal: it is better to maintain a calm state of mind.

Russ: okay.

Omal: if you have fear, the chance is that you may panic are there and if you panic and your shields go down, you are helpless.

Russ: okay, how can you maintain a monitoring system on how your shields are holding up or if you are subjected to an attack?

Omal: it is normally a gut feeling, a feeling that you are not doing that well, that the strength of your shields are weakening. Normally if the person is persistent and continues and they are as strong as you or stronger, they will break your shields eventually.

Russ: for example, the test you just gave me.

Omal: correct.

Russ: okay, and also you didn't mention anything about armor.

Omal: I did briefly. I mentioned whether it is a suit of armor or other form of shielding.

Russ: it was the part where you'd be covered in mail.

Omal: correct. Let us look at armor. Armor can either be shiny externally or internally. It is the final, last-ditch protection. It is up to the individual if they wish to visualize themselves in a suit of armor. This is basically a toughened aura. It is a strong shield however it does have weaknesses due to the fact that if you have armor, there are normally weak points of the joints where tissue moves such as at the eyes and the mouth.

Russ: okay. Also do you didn't mention anything about, I don't think you did anyway, your protective beast, creature, animal, whatever you might call it to watch out for you such as Mark's dragon....

Omal: that is something that I deliberately did not mention. The reason is that most people, even though they can project and create such a animal as a panther or a dragon, find it a drain.

Russ: but now what if that is a more stronger shield for them than a regular shield might be?

Omal: that's becomes aggressive shielding, that is an offensive posture to assume.

Russ: so by the time they get up to like a level IV or so they should already have that naturally anyway so it is no need to mention that.

Omal: correct.

Russ: okay, that's kind of what I figured on that one. All right, that's all the questions I have on shielding, oh one more. You went through pretty much all of them pretty extensively here but would it be helpful to put the archive tape on shielding that you did at the very first part in at some point?

Omal: no, no.

Russ: okay, alright in that case this will be an excellent tape, I'll edit it as………

Omal: thank you, any more questions?

Russ: no more questions but I have one more thing I wanted to mention. Greetings Omal.

Omal: greetings Russ. Thank you, live long, prosper and I will be back.




(
Tia caps off the session.)


Russ: hi Tia.

Tia: ".... you come down here, ruining my day, I'm dragging you through the desert with your dreadlocks all over the place and what is that smell?" Sorry, I had to that, do you know what that's from?

Russ: yeah I've got a very good idea.

Tia: hey that's one for your computer that you can put on there.

Russ: yeah that might be one and I'll track it.

Tia: uh-huh.

Russ: okay cool.

Tia: okay.

Russ: I assume next we'll be get into "Men in Black" and "Contact"?

Tia: probably.

Russ: probably.

Tia: uh-huh.

Russ: okay......

THE TAPE ENDS


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